Flat Patty's blog has been updated with photos from a day in New Orleans.....Thanks Cheryl!

Thanks to everyone who has signed up to take Flat Patty! We have her schedule full for November. :)

Posted by by cole / discuss

In a recent interview, Claire Lynch notes that she has been fortunate to collaborate on veteran country singer Patty Loveless' "Bluegrass, White Snow" record which she remarks as a "beautiful experience. Her husband, Emory Gordy, is a really great producer and has a beautiful disposition. I was really honored and I think that was a beautiful project."

Lynch further adds that "Patty and Emory sent me flowers after I won the IBMA award. She's a classy lady."

-Suite101

Posted by by cole / discuss

Steph sent in some photos for us to post from Patty's Appearance at the Opry on Friday, May 18th in 2007, the night before the Porter Wagoner Anniversary special. Thanks Steph!

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Flat Patty's Blog has been updated, thanks Cheryl, who is still being creative with all the shots she's taken!

Thanks to everyone who continues to sign up for Flat Patty! You must email us to sign up for Flat Patty. Please be sure to include if you have a time-frame preference, so we know where to plug you into the schedule - otherwise we'll put you in at the next open slot we have! Please note she's already scheduled for fans the entire month of November, so your time preferences must start with December.

Posted by by cole / discuss

by Lisa Torem

Shhh. Don't tell. I just discovered that I'm a stone cold, country music fan. But, if it weren't for Patty Loveless and her natural ability to sing her heart out, I wouldn't have had a clue. Her second, Friday evening performance, October 15th, at Chicago's Old Town School, was heart-felt and compelling. The fans sitting next to me, though, had already figured that out a long time ago.

I won't pretend that I knew all the lyrics to the rousing, infectious chorus of "Blame it On Your Heart," though the other audience members clearly did. They lost me after the "lyin' and cheatin'" phrase, which the seven-piece band played at a machine-gun pace.

Loveless was in grand company. Mandolin, electric guitar, fiddle, steel guitar and dreamy harmonizing enhanced her superb selection of songs. Her opening number, "The Night's Too Long", a cover by Lucinda Williams, instantly set forth a tender tone.

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